"Janmashtami Kanha Janm — Divine Family Blessing"

IDENTITY LOCK: Do not change either subject's (the couple's) facial bone structure, eye shape and color, nose shape, lip shape, jawline, or skin tone in any way — keep both 100% identical to the original uploaded photo. Body build and proportions unchanged for both individuals. Non-negotiable. CHARACTER IDENTITY SEPARATION (critical): There are exactly two distinct identity groups in this image and they must never mix or swap: Group 1 — the real couple from the uploaded photo, appearing ONLY in the foreground bowing toward the palki. Their faces must not appear anywhere else in the image. Group 2 — the devotional characters (baby Krishna, Mata Yashoda, Nandlal ji, and background family members), rendered as separate, distinct, traditional devotional-art style figures with their own faces — completely different from the couple's faces. Do not blend, morph, or transfer any facial features between the two groups. SCENE CONCEPT: A divine Janmashtami tableau depicting the sacred moment of Kanha ji's (baby Krishna's) birth celebration. Infant Krishna rests in an ornately decorated golden palki (cradle), gently swinging, surrounded by a soft divine glow. Mata Yashoda stands close beside the palki with a nurturing, joyful expression, gently rocking it; Nandlal ji (Nanda Maharaj) stands near her, hands folded in blessing; a few family members are present in the background, softly blurred, dressed in traditional festive attire, watching the moment with devotion. Krishna, Yashoda, and Nandlal should be rendered in a traditional, respectful Indian devotional-art style (as seen in temple art or classical festival illustrations) — divine, serene, artistically stylized rather than hyper-photographic — to honor their sacred depiction. COUPLE'S ROLE & POSE: The real couple is positioned respectfully in the foreground, bent slightly forward together, gently touching Kanha ji's feet in a traditional aashirwad (blessing) gesture — hands reaching softly toward the palki's base, heads slightly bowed in devotion. Their bodies angled naturally toward each other and the palki, one partner's hand resting lightly on the other's back for support while bowing, natural weight shift forward, knees softly bent — not a stiff or frozen bow. EXPRESSION: Both partners show quiet devotion and warmth — soft, genuine reverence in their eyes, gentle closed-mouth smiles, faces tilted slightly downward toward Kanha ji rather than at the camera. ANATOMY ACCURACY (critical, check before finalizing): Every person in the scene — the couple, Yashoda, Nandlal, and background figures — must have exactly two arms, two hands, and exactly five fingers per hand, with no fused, missing, extra, or elongated fingers. Every person must have exactly two legs and two feet, correctly connected at natural joints, with no extra or merged limbs. Hands touching the palki or Kanha ji's feet must show natural, anatomically correct finger placement — fingers gently curled, not flat or fused together. Re-verify hand and leg count and structure for every figure in the image before finalizing. LIGHTING SETUP (as a real photographer would dial it in): Key light — a warm divine golden glow emanating softly from around baby Krishna and the palki, acting as the primary light source from center-front, low and warm. Fill — soft diya and fairy-light glow from the surrounding decorations, balancing the central glow at roughly a 2:1 ratio so shadows stay soft. Rim light — string lights and hanging diyas behind the family create a soft golden edge-glow along the couple's hair and shoulders. Catchlights in both the couple's eyes should be warm and soft, reflecting the divine golden glow. LENS & OPTICS: Simulate a 35mm lens at f/2.8 to comfortably include the palki, Yashoda, Nandlal, and the couple in one balanced frame — gentle background compression, background family and decorations rendered as soft bokeh, sharp focus maintained on the couple and Kanha ji, faint natural vignette at the corners. FILM/COLOR SCIENCE: Warm festive film response — golden highlights bloom softly rather than clipping, shadows lifted gently rather than crushed black, rich gold-peacock-blue-maroon palette across the scene, skin tones of the couple staying natural and true against the divine warm glow. SET DETAILING (peak detail): Ornately carved and gilded palki with intricate patterns, marigold garlands and mango-leaf toran hanging around the scene, scattered rose petals on the floor, peacock feathers, small clay diyas glowing around the palki's base, traditional brass kalash nearby, richly embroidered festive textiles on Yashoda and Nandlal ji's attire with fine gold thread work, softly glowing ambient dust/light particles in the air for a sacred atmosphere. RETOUCH PIPELINE: Frequency-separation-style retouching on the couple — smooth tonal transitions on skin while fully preserving fine pore- level texture and natural color variation under the warm divine lighting. Subtle dodge-and-burn to retain natural facial planes for both subjects, no flattened or plastic-looking skin. FINISHING: Fine film grain overlay at low opacity, soft cinematic color grading, no digital sharpening halos, naturally balanced composition with the palki as the visual centerpiece and the couple respectfully positioned below it. FINAL CHECK: Ensure zero facial distortion for the couple, correct anatomically accurate hands and legs for every figure (no extra or missing digits/limbs), no identity mixing between the couple and the devotional characters, and consistent shadow/light-source logic radiating outward from the divine glow at the palki. Insert discreet watermark in the lower right corner of the image, vertical text (rotated 90°), written "aipromptlabs.online", Calibri Light font, white color with low opacity (semi-transparent), medium size. Extreme sharpness on the face, fabric texture and typography of the letters. Shot on Canon EOS R5, 50mm f/2.8, studio light.